![]() “The album is sort of a funeral rite for the world that is gone and a fanfare for the world we intend to eventually live in.”ĮM: I guess you could call it a channeling process. What does that title mean and how do you feel your sound has evolved? Your new album Deus Sex Machina: or, Moving Slowly Beyond Nikola Tesla is coming soon. LL: It’s from a very poor translation of Plato’s Republic. What’s the story of the name Sons of an Illustrious Father? We burned CDs and cassette tapes, and then in high school we began playing music in earnest, and we recruited Josh as a touring bassist. We recognized kindred spirits in each other. Tell me a little about how you all connected and got started as a band. That’s the the genre of things that have affected our music the most. What life events have impacted you and your music the most?ĮM: Relationships. How did you decide that this is what you wanted to do? We’re musicians, I don’t care about being seen. We’re musicians, I don’t care about being seen.” Do you think we’ll be viewed? We just want people to view us. How did you get started and when do you feel you got your break?ĮM: Yes. LL: One of my favorite memories from childhood is being at home all day with my dad, and he was like, “Alright this is what we’re doing today.” He handed me a broom and put on Combat Rock, and we performed the entire album. By far the most well-known of The Clash’s records, Combat Rock earned double platinum in the US and was the last record to feature the band’s original line-up: John “Joe Strummer” Mellor, Mick Jones, Paul Simonon and Nicky “Topper” Headon. My mom loved The Ramones, and I would dance a lot to them as a kid.Ĭombat Rock (1982) is the fifth studio album by popular English rock band The Clash. My parents appreciated opera, but weren’t actually into. The Lion King soundtrack.ĮM: I listened to opera a lot when I was a kid. I think the first tape I ever owned was Green by REM, my first favorite band. LL: Beach Boys, Beatles, Elvis, Little Richard. Stuff my sisters were playing, like Sleater Kinney. Activist causes include abortion and gay rights.ĮM: Beach Boys, Bob Dylan. She has released over 20 albums, all via Righteous Babe, her own record label. DiFranco’s music crosses folk and alternative genres with a variety of other influences. Josh, when did you first play music?Īni DiFranco is an American singer, musician, poet, songwriter and activist. A lot of hitting things and attempting rhythm before then, but six was when I started training in Sydney. Lilah Larson: I started pretending to play guitar when I was three.ĮM: I started singing when I was six. Those are the places where we emerged from the wombs. With their rapid-fire banter, the trio introduces the reasoning behind their album title, referencing the feminist and environmental causes that collectively concern them.Įzra Miller: Massachusetts, Los Angeles, and New Jersey. We caught up with Larson, Miller and Aubin as they gear up for the album’s US tour. Their new LP, thoughtfully titled Deus Sex Machina: or, Moving Slowly Beyond Nikola Tesla, has a lot to say about the environment and politics, as well as the process of art, from inspiration to human to machine. ![]() Styled by Academy Award-nominated stylist Colleen Atwood and featuring acclaimed dancer Marta Miller, the song drops lyrical weights such as “bloody plastic oil spills” and “perils of free agency,” frequent subjects for members Lilah Larson, Ezra Miller and Josh Aubin. New York City band Sons of an Illustrious Father made a splash earlier this year with their tantalizing music video for “Extraordinary Rendition”. On the heels of their first EP, Sons (2015), the band released debut album Revol in 2016 and are now releasing their second album Deus Sex Machina: or, Moving Slowly Beyond Nikola Tesla (2018). New York City band Sons of an Illustrious Father features musicians Lilah Larson, Ezra Miller and bassist Josh Aubin.
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