The deadline for applications is 5pm, Thursday 7 December 2023. If you have any enquiries about the scheme, please get in touch via our Contact Form.įind out about how you can support our talent development programmes here.Īpplications are now open for the 19th Edition of Take Five. This year we also partner with Black Lives in Music on a mentorship opportunity to an early career music production manager and/or sound engineer from a global majority background as part of the Take Five talent development programme. Previous artists could only apply upon being nominated by one of Serious’ trusted industry contact, but since 2019 we have also introduced an open “Expression of Interest” system, allowing any eligible artist to put themselves forward for the scheme. To be considered for the scheme, artists must be between the ages of 25-35 or have been working as a professional musician for at least five years, be primarily based in the United Kingdom (but do not need to a UK national), be leading their own band and/or composing their own music, and demonstrate exceptional talent and future potential. You can see every participant by clicking here. The programme’s alumni list reads as a who’s who of the British jazz scene ranging from Polar Bear’s Seb Rochford (who took part in the very first edition) to Sons of Kemet and The Comet is Coming’s Shabaka Hutchings, British/Bahraini trumpeter Yazz Ahmed to rising star Nubya Garcia, as well as musicians from outside the traditional jazz idiom but with a foot firmly in improvisation such as electronic musician Leafcutter John, conductor and arranger Jules Buckley, and Korean flautist Hyelim Kim. Serious also provides the artists with performance opportunities at the EFG London Jazz Festival and elsewhere – in particular as part of a “Take Five Showcase” which will be launched at the 2020 edition of the festival. Take Five is a jazz standard composed by Paul Desmond and originally recorded by the. They also get to collaborate on a series of pieces that each of them arranges for the entire group, directed by the esteemed composer and saxophonist Jason Yarde.įollowing the residency, the artists continue to receive tailored mentorship from members of Serious’ experienced staff as well as receiving funding towards further mentorship from other music industry professionals. Music by Paul Desmond Originally Performed by Dave Brubeck Quartet. The scheme centres around a week-long residency that brings the artists together with music industry experts, giving them a chance to learn about the complexities of the business in an intimate setting, and offering them the chance to take some time out from their usual busy touring/recording schedules and step back and think about how to advance their music and careers. With an infectious groove and catchy tune. Inaugurated in 2005, the programme welcomes eight of the finest young composers from across the United Kingdom’s jazz and improvised music worlds each year and offers them mentorship, collaborations, performance opportunities, and funding – serving as a pivotal moment in their careers and has frequently led to wider recognition, touring, record deals, and more. First recorded in 1959 for his album 'Time Out', Dave Brubeck's 'Take Five' has gone on to become a jazz standard. 0:00 / 7:25 Dave Brubeck - Take Five Tori Chitic 42. Label: Komax Licensing (TCBS 515) Dave Brubeck, Johnny Griffin, Stephane Grapelli, Carmen McRae, Dexter Gordon, Stan Getz, Count Basie, Duke Ellington, Ella Fitzgerald, Miles Davis and many more CD 1 Tracklist (Jazz Take 5): 01. Songlist: Naima, Love Is In Control, Stolen Moments, Take Five, I Belong to You, Stolen Moments Voicing: Mixed 5-8 Parts | 4732b | Sheet Music Collection | $11.Take Five is an annual talent development programme for emerging jazz and improvising musicians/composers produced by Serious, and funded by the PRS Foundation, Help Musicians, Arts Council England, and Serious Trust. Genre: Jazz, Vocal Jazz, Latin Jazz RAR 3 Rec. "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck. First tenor part can be sung by alto if necessary. A high, then low ending brings the piece to an impressive close. After going through the tune, it opens up for improvisation solos over the chorus, with the bass singers continuing the samba-bass feel while the upper voices do horn-type hits and pads behind the soloist. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! The first a cappella vocal version of this famous Chick Corea Latin classic, "Spain." This chart features a strong baritone or alto soloist in the rubato introduction, accompanied by thick vocal "spread voicings," then kicks into the familiar up-tempo samba feel, with quick octave unisons for all voices. Utah Jazz: +12. It features a female soloist, with rich broken-chord harmonizations beneath. This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics.
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